A Word to the Reader The general facts of Eugene O'Neill's life have been pretty well established since the early s. Amendments of fact offered here tend to be adjustments based on re-examination of evidence. A slightly different date for an event may be given, for example, than has been stated in other works.
His masterpiece, Long Day's Journey into Night produced posthumouslyis at the apex of a long string of great plays, including Beyond the HorizonAnna ChristieStrange InterludeAh! Wildernessand The Iceman Cometh Early life O'Neill was born into the theatre.
His mother, Ella, accompanied her husband back and forth across the country, settling down only briefly for the birth of her first son, James, Jr. Eugene, who was born in a hotel, spent his early childhood in hotel rooms, on trains, and backstage.
Although he later deplored the nightmare insecurity of his early years and blamed his father for the difficult, rough-and-tumble life the family led--a life that resulted in his mother's drug addiction--Eugene had the theatre in his blood. He was also, as a child, steeped in the peasant Irish Catholicism of his father and the more genteel, mystical piety of his mother, two influences, often in dramatic conflict, which account for the high sense of drama and the struggle with God and religion that distinguish O'Neill's plays.
O'Neill was educated at boarding schools--Mt. His summers were spent at the family's only permanent home, a modest house overlooking the Thames River in New London, Conn.
He attended Princeton University for one yearafter which he left school to begin what he later regarded as his real education in "life experience.
Jun 12, · “Long Day’s Journey Into Night” is as compressed in its time-frame as “Strange Interlude” is sprawling, given that Nina is tracked across a quarter-century or so on the way to her own. The second review of Strange Interlude in our Teen Critic series comes from TC Williams student Sarah Paez, who writes about Nina Leeds' journey as a woman, wife and mother. Worshiping the Black Sun Melancholy in Eugene O’Neill and Sarah Ruhl James Al-Shamma (bio) The prologue to Lars von Trier’s film Melancholia depicts the titular planet colliding into and destroying, and even appearing to .
He shipped to sea, lived a derelict's existence on the waterfronts of Buenos Aires, Liverpool, and New York City, submerged himself in alcohol, and attempted suicide.
Recovering briefly at the age of 24, he held a job for a few months as a reporter and contributor to the poetry column of the New London Telegraph but soon came down with tuberculosis. Entry into theatre O'Neill's first efforts were awkward melodramas, but they were about people and subjects--prostitutes, derelicts, lonely sailors, God's injustice to man--that had, up to that time, been in the province of serious novels and were not considered fit subjects for presentation on the American stage.
A theatre critic persuaded his father to send him to Harvard to study with George Pierce Baker in his famous playwriting course. Although what O'Neill produced during that year owed little to Baker's academic instruction, the chance to work steadily at writing set him firmly on his chosen path.
O'Neill's first appearance as a playwright came in the summer ofin the quiet fishing village of Provincetown, Mass. In their tiny, ramshackle playhouse on a wharf, they produced his one-act sea play Bound East for Cardiff.
The talent inherent in the play was immediately evident to the group, which that fall formed the Playwrights' Theater in Greenwich Village. Their first bill, on Nov. Although he was only one of several writers whose plays were produced by the Playwrights' Theater, his contribution within the next few years made the group's reputation.
Between andthe group produced all of O'Neill's one-act sea plays, along with a number of his lesser efforts. By the time his first full-length play, Beyond the Horizon, was produced on Broadway, Feb.
Beyond the Horizon impressed the critics with its tragic realism, won for O'Neill the first of four Pulitzer prizes in drama--others were for Anna Christie, Strange Interlude, and Long Day's Journey into Night--and brought him to the attention of a wider theatre public.Aug 30, · Norma Shearer and Clark Gable, who provided potent screen chemistry in 's A Free Soul, smolder again in the film version of Eugene O'Neill's Pulitzer Prize-winning play, a .
Strange Interlude is a American pre-Code drama film directed by Robert Z. Leonard and released by Metro-Goldwyn-Mayer. The film stars Norma Shearer and Clark Gable, and is based on the play Strange Interlude by Eugene O'Neill. Strange Interlude Homework Help Questions.
Who are the major and minor characters in Strange Interlude by Eugene O'Neill? The characters in this play are few in number and represent different. Strange Interlude, Pulitzer Prize-winning drama in two parts and nine acts by Eugene O’srmvision.com was produced in in New York City and was published the same year.
The work’s complicated plot is the story of a woman in her roles as daughter, wife, mistress, mother, and friend.
Strange Interlude is an experimental play in nine acts by American playwright Eugene O'Neill. O'Neill began work on it as early as and developed its scenario in ; he wrote the play between May and the summer of , and completed its text for publication in January , Written by: Eugene O'Neill.
Strange Interlude Homework Help Questions. Who are the major and minor characters in Strange Interlude by Eugene O'Neill?
The characters in this play are few in number and represent different.